ON THIS DAY in 1963, the Moscow-Washington “hotline” or “red telephone” between Russia’s Kremlin and the White House, went into operation. In 1964, the Sidney Lumet film FAIL-SAFE featured the hotline in scenes with Henry Fonda as the President.
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- Birthday: August 29, 1915
- Named after: Princess Ingrid of Sweden
- First marriage: to a dentist
- Awards for her role in Casablanca: none
- Once had a relationship with: photojournalist Robert Capa
- American Film Institute Greatest Female Star ranking: #4
- First movie appearance: as “Girl waiting in line”, in Landskamp.
- Her father: wanted Ingrid to be an opera star
- Fun fact: Woody Guthrie wrote a song about Bergman and Roberto Rossellini
- Quote: “I don’t know who I am anymore. I don’t know what I remember and what I’ve been told I remember. What is real? Am I?” —from ANASTASIA
ON THIS DAY in 1963, the March on Washington for Jobs and Freedom took place near the Lincoln Memorial in Washington, D.C. The rally called for civil and economic rights for African Americans, and featured Martin Luther King Jr.’s “I have a dream” speech. The 1963 short film, THE MARCH ON WASHINGTON, documented this historic event.
IF YOU HAPPEN to be a Londoner who loves movies, or a movie lover who loves London, you will be, or can be, exactly where you should be starting September 1st. And that is at the BFI Southbank for screenings of Sight and Sound’s Ten Greatest Films of All Time…
ON THIS DAY in 1172, Henry (“the Young King”), 17-year-old son of King Henry II, married Margaret of France and was crowned King of England. In 1964, he was portrayed by Riggs O’Hara in the film BECKET, directed by Peter Glenville, and starring Peter O’Toole and Richard Burton.

If you spent most of your time watching movies this past week, you might have missed these articles here at Home Projectionist:
- Netflix Streaming Surprises #3 –FEARMAKERS
- RIP Miss Phyllis Diller
- Frank (Langella) Being Frank
- Phyllis Diller and SPLENDOR IN THE GRASS: “Give the little girl a hand”
- Brian DePalma’s DRESSED TO KILL: Dressed Like Hitch
- SUMMERTREE: This looks like a must see…
- A Look Again at DON’T LOOK NOW
- An EXORCIST Playset
- Netflix Streaming Surprises #4 – THE SKEPTIC
- NORTH BY NORTHWEST Passage
- Digital and 35mm Co-Exist at Chicago’s Music Box Theatre
- A painterly Alfred Hitchcock film quiz: “Could it be an overpowering interest in art?”
- It’s a Wonderful High Noon: Similarities between two American classics
- Add IMDb Lists to Your List
- Library of Congress Bunker Houses 100 Years of Film History
- REEL HISTORY Archive
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ON THIS DAY in 1429, Joan of Arc, patron saint of France, marched triumphantly into Paris during the Hundred Years War. In 1957, Otto Preminger’s film, SAINT JOAN, starring Jean Seberg and adapted from a George Bernard Shaw play, told the story of this and other events in her life.

A WESTERN set in the 1800s would seem to have little or nothing in common with a Christmas movie set in the 1940s. One is about a dangerous outlaw seeking revenge on the sheriff who sent him to jail. And the other is about an angel getting his wings. So I would have thought up until last Monday night. That’s when I saw–for only the second time in my life–HIGH NOON, the 1951 Fred Zinnemann classic, and began comparing the two films (as well as realizing I was surely not the first moviegoer to do so).
Maybe it was the appearance of character actor Thomas Mitchell (playing a trusted friend in both films) early on that made me think of IT’S A WONDERFUL LIFE. Or maybe it was seeing a happy couple having their wedding day abruptly interrupted. In NOON’s case, the imminent run-in with a dangerous outlaw; in LIFE’s case, a dangerous run on George Bailey’s father’s bank. A curious coincidence. But then there are other similarities–some more obvious than others–between the two.
The hero is an American everyman. A man with ideals, character, and dreams–dreams of romance with a lovely, wholesome woman (Grace Kelly–a Quaker; and Donna Reed), unhappy with his life in the small town.

Good evening. A great many of Hitchcock’s characters had brushes with death. Jimmy Stewart, for example, was asked, somewhat unkindly, to exit his apartment via the REAR WINDOW. Which, unfortunately for him, was not at ground level. But sometimes Hitch’s protagonists were more concerned about paint brushes than the art of survival. This quiz will test your knowledge of the art of Alfred Hitchcock. Specifically, the artful works contained within his films.
Good luck, Mr. Thornhill, wherever you are…
Take the Quiz!(*The quiz title was inspired by Alfred Hitchcock’s North By Northwest: “Something wrong with your eyes?” “Yes”, says the sunglass-clad Roger O. Thornhill (Cary Grant), “They’re sensitive to questions”. At an art auction, Vandamm (James Mason) asks Roger about the purpose of his visit: “Could it be an overpowering interest in art?”)
Artist Andrew DeGraff is a fan of Alfred Hitchcock’s 1959 film, NORTH BY NORTHWEST. He’s also a terrific artist, as is evident with his detailed, graphic homage to Hitch’s masterpiece. DeGraff:
I’ve loved “North by Northwest” since the first time I saw it – the visuals, the music, the tiny razor gags, but most of all, the urban/rural scene hopping, from New York, to Chicago, to South Dakota. So – I thought I’d throw together a sort of scenic chart of all the actual locations in the movie – the only fictional one being the Northwest Airlines terminal, which no longer exists and I couldn’t find reference for (but for “North by Northwest”, I figured I’d take a little liberty).
Also not included are the 1212 Michigan Ave Auction house and the hospital in Rapid City, as they were shot on soundstage in Hollywood. Even with that, it was a bit of a beast.
Lots of research, lots of windows . . . The cars are also accurate from the initial 57 Skoda 440 cab to the ’51 White Freightliner the plane crashes into, to the ’52 Ford Customline Cary Grant rescues the girl in. I took color from the footage to get some of that “technicolor” feel, and blatantly ripped off Saul Bass’ opening credit arrows to show the action.
As a big fan of the movie myself, of course, I’ve taken the liberty of identifying the locations DeGraff has so beautifully and painstakingly illustrated. Be sure to check out some of his other, excellent work here.
- CIT Building, 650 Madison Ave., New York City
- Plaza Hotel, 5th at 59th, NY
- Townsend Mansion (Old Westbury Gardens), Long Island
- Glen Cove, NY, police station
- Plaza Hotel
- United Nations Building, NY
- Grand Central Station, NY
- LaSalle Street Station (414 S LaSalle St.), Chicago
- Prairie Stop, along US Hwy. 41 (actually Bakersfield, CA), central Indiana
- Ambassador East Hotel, 1301 N State Pkwy., Chicago
- Chicago Midway Airport, Northwest Airlines terminal
- Mt. Rushmore National Memorial Visitor Center, Rapid City, SD
- Area near Mt. Rushmore
- Vandamm residence (actually a movie set) near Rapid City
- Mt. Rushmore
- 20th Century Limited to New York City
ON THIS DAY in 1952, the notorious penal colony of French Guiana (Devil’s Island)-in operation since 1852-was permanently closed. The 1973 film, PAPILLON, with Steve McQueen and Dustin Hoffman, was based on the book of the same name, written by a Devil’s Island prisoner’s memoir.











