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TCM Remembers for 2013

Posted by Gloria on December 11, 2013
Posted in: Film, Film News, Movies. Tagged: , , , . 2 Comments

It’s always one of the most poignant short films of the year: TCM’s Remembers, documenting the lives of film industry people who passed away. See it at TCM Remembers 2013.  

Last year, the Academy Awards version of the same tribute was woefully lacking and failed to include a number of performers–like Andy Griffith, Ben Gazzarra, Phyllis Diller, and even more. Maybe this year the Academy will use the TCM piece as a reference.

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TCM Starts Airing “The Story of Film” Documentary Tonight

Posted by Gloria on September 2, 2013
Posted in: Documentary, Film, History, Movies, Reviews. Tagged: , , , , , , , , , . Leave a comment

story of filmTCM will begin airing the 15-part documentary THE STORY OF FILM tonight. It’s a fascinating ride through the history of film by historian Mark Cousins, and you’ll end up with a long, long list of movies on your watch list.

I loved the first episodes the best. From my Home Projectionist blog posts  about the series:  “During the first two hours of THE STORY OF FILM: AN ODYSSEY, I learned that the first real movie star, Florence Lawrence, committed suicide with ant poison, that the first close up in cinema featured a sick kitty, and there was some hot erotic dancing going on in the silent movies.” 

One of my favorite experiences was discovering Asta Nielsen‘s dance from The Abyss (1910).

Let us know what you think.

 

Beefcake and Cheesecake in Pre-Code “Search for Beauty”

Posted by Gloria on November 28, 2012
Posted in: Film, Movies, Reviews. Tagged: , , , , , , , , , , . 2 Comments

Before the creation of censorship guidelines, Hollywood loved its lascivious stories. And while not every “pre-code” film is a winner, SEARCH FOR BEAUTY (1934) is a stunner, complete with laugh-out loud lines…and even naked butts!

The story follows three hapless ex-cons (brilliantly played by James Gleason, Robert Armstrong, and Gertrude Michael) who are looking to get into something “legit.” They buy a defunct business operation that includes a health magazine and a spa facility, referencing the notoriety of real-life health guru/pulp publisher Bernarr MacFadden (who is a full  story in himself).

The cons attend an Olympics competition and are inspired by the bodies beautiful of Ida Lupino, a champion diver, almost unrecognizable with bleached blonde and Harlow eyebrows, and hottie Buster Crabbe, U.S. Olympic swimmer. Crabbe is delightfully innocent as Don Jackson, who makes a plea to the audience cheering the receipt of his gold medal, “You guys in the seats! Get out of the stands and exercise!”

The cons get the idea to recruit the athletes as their magazine editors to give their new “health” publication credibility. In reality though, they’re looking to market a beefcake and cheesecake rag.

While the cons start working on their ruse, they send Crabbe on a global tour to find the most beautiful bodies in the world.  After coming up with a boatload of healthy and bright bathing beauties, Crabbe and Lupino quickly discover the cons’ true motive and make a deal to get out their contract. The cons negotiate and Crabbe and Lupino end up with the dilapidated health farm. But Crabbe has a big vision that he can make a spa a viable operation.

Unfortunately, trouble ensues when the cons cut back into Crabbe’s business and promote the health farm as a sexcapade getaway.

The film is funny , filled with great lines like, “You can’t treat our guests like a bunch of Bo-Hunks in a box car,” but it does border on creepy when the masher guests (both male and female) start soliciting their innocent trainers for sex. A scene in one of the hotel rooms is a disturbing cautionary tale for the “good girls” out there. “I have nothing against sex,” one of the cons says, “Either you have it or you’re looking for it.”

Not every pre-code movie is a crowd pleaser, but check out this inspired production number for opening night at the fat farm. Get ready to work out!

COLLECTION NOTES:  Every film fan needs a good collection of pre-code films and they’re readily available. Warner Bros., with TCM, released “Forbidden Hollywood Collection” in 2006, and just recently Sony and TCM have recently released “Columbia Picture Pre-Code Collection” and “Frank Capra: The Early Collection.” Go to TCM for for a look.

Gloria Bowman is a writer, storyteller, blogger, movie lover, freelance editor,
and author of the novel, Human Slices.
Access her blog at www.gloriabowman.com; on Twitter @GloriaBow

The Festival Dreams Are Made Of

Posted by Dave on September 25, 2012
Posted in: Film, Movies. Tagged: , , , , . 5 Comments

Updated

The TCM CLASSIC FILM FESTIVAL. Those words bring about an extra, few beats to my Lumiére Brothers-loving heart. That’s because I know of no other finer film experience, no more mind-blowing movie nirvana, no better Mt. Everest of cinematic entertainment, and… well I’ve run out of superlatives at the moment, and probably run out your patience. Of course, I’ve never been to Cannes, nor to Telluride or to Toronto for TIFF, so my points of reference are limited. But I do know that for a classic movie fan, Hollywood is the place to be in April of next year.

Barring unforeseen circumstances, I will join a couple of thousand film fans at the Hollywood Roosevelt Hotel and its environs for the fourth edition of Turner Classic Movies’ feast for classic film fanatics next spring. It will be my third time. (I had to cancel out at the last minute on the first get-together in 2010 due to a schedule conflict. However, TCM generously gave me a refund, even though it was against their policy, and I am eternally grateful.)

The 2013 Festival dates (April 25-28) and its theme (“Cinematic Journeys: Travel in the Movies”) are expected to be announced very soon have just been announced. 2012’s theme was “Style”–a broad category that included, for example, film noir, fashion, art and architecture.

Running from Thursday afternoon through Sunday night, in the heart of historic Hollywood, the TCM Classic Film Festival is “a place where movie lovers from around the world gather to experience classic movies as they were meant to be seen: on the big screen, in some of the world’s most iconic venues, with the people who made them.”

Multiple simultaneous film screenings and events start early in the morning at about 9, and go into the late evening, the last one at around 10 or 11 p.m. All the venues–the Egyptian, Graumann’s Chinese and the Graumann’s multiplex, are within walking distance of each other, and all feature state-of-the art sound and projection. The splendid, art deco Hollywood Roosevelt Hotel (site of the first Academy Awards presentation) is the headquarters for the Festival, and it hosts a variety of panel discussions, a nighttime gathering spot for fans (“Club TCM”), reception and information areas for attendees, a Festival gift shop, and a very retro and very good diner, the CineGrill.

Watch TCM’s 2012 promotional video

The most difficult aspect of the festival (other than swinging the expense): deciding which of four or five films to see at any given time of the day. Second most difficult: somehow finding a minute or two to eat in-between screenings.

Some of my own memories from 2011 and 2012:

  • Kirk Douglas, age 99, singing A Whale of a Tale at a screening of 20,000 Leagues Under the Sea
  • Bela Lugosi, Jr., and Sara Karloff talking about their dads, at The Black Cat
  • Elvis in Girl Happy, poolside at the Hollywood Roosevelt
  • Coffee in hand, attending a 9 a.m. screening of Becket, at the Egyptian, and Peter O’ Toole’s remembrances of Richard Burton
  • How The West Was Won, in its original wide-screen, Cinerama, with Debbie Reynolds in attendance, at Hollywood’s Cinerama Theater
  • Kim Novak introducing Vertigo at the historic Graumann’s Chinese
  • Angela Lansbury reminiscing about meeting Ingrid Bergman, in Gaslight
  • Frank Sinatra’s daughters remembering their dad prior to The Man With The Golden Arm
  • Being with, and getting to know, other classic movie lovers–the best part of this film festival

My reviews of three films that were part of the 2012 TCM Classic Film Festival: the glorious Cinerama presentation of HOW THE WEST WAS WON, a terrific and underrated film noir, FALL GUY, and the beautifully restored, utterly captivating silent film, WINGS.

I’m looking forward to posting updates and my thoughts about next year’s Festival in the days and months ahead, as well as reporting from the big event itself (when I’m not running between theaters!).

Update: The 2013 Festival will be held April 25-28. The theme, “Cinematic Journeys: Travel in the Movies”, and will, according to TCM, “explore how movies can carry viewers beyond their hometowns to distant or imaginary locales, where they can be transformed by great storytelling. Often, the mode of travel provides the filmic inspiration, whether it’s planes, trains, or automobiles. At other times, the trip itself serves as the central narrative, as in the case of many ‘road movies.’ With Hollywood as the starting point, TCM’s cinematic excursion will take festival attendees on a fascinating journey to cinematic worlds both familiar and new.” More info at the TCM Festival website.

Are you on Facebook? Thinking of going to the 2013 TCM Festival? Then you might want to look into joining the 100-plus member Going to the TCM Festival Facebook group.