ON THIS DAY in 1955, American poet Allen Ginsberg debuted his landmark poem Howl at the Six Gallery in San Francisco. This event was depicted in the 2010 film, HOWL, starring James Franco, David Strathairn, and Jon Hamm.
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Today I learned that the first real movie star, Florence Lawrence, committed suicide with ant poison, that the first close up in cinema featured a sick kitty, and there was some hot erotic dancing going on in the silent movies.
Of course, the history of cinema is comprised of much more than the stuff of cocktail conversations. It’s a vast collection of stories that have impacted each and every one of our lives.
THE STORY OF FILM: AN ODYSSEY (2011) is a 15-part, 15-hour documentary exploring the convergence of technology, business, intelligence, and vision that has created the remarkable and powerful art of cinema.
THE STORY OF FILM is quietly narrated by its creator, film critic and historian Mark Cousins. Part I of STORY includes “The Birth of the Cinema (1900 – 1920)” and “The Hollywood Dream (1920s),” which provides a sequence of mini tales featuring the inventors, the stars, the breakthroughs, and the innovations that started it all, from the Lumieres to Lloyd. The segments on the evolution of film editing are particularly strong.
Like a professor, Cousins will periodically veer into non-essential territory (like fretting over the glamour and the glossy veneer of Hollywood), which doesn’t particularly add to the narrative, but no matter. He has compiled an anthology of information and resources that will be turned to again and again.
Of course, because of the sheer breadth of material, Cousins must alight on some topics for only moments of time, leaving us wanting more. After seeing the shocking clip of Asta Nielsen’s erotic dance from the 1910 silent film THE ABYSS, for example, I am hoping that someone has created a documentary on THE HISTORY OF EROTIC DANCE IN SILENT FILMS.
(You can view the entire film at http://archive.org/details/Afgrunden_1910. The dance begins at 20:11 and there’s much more to it than in the clip above.)
Music Box Films is distributing the documentary, and Chicago’s Music Box Theater has just begun its multi-week screening of this ambitious effort. The DVD will be released in November 2012.
Next up is Part 2, “Expressionism, Impressionism and Surrealism: Golden Age of World Cinema (1920’s).” 
Gloria Bowman is a writer, storyteller, blogger, movie lover, freelance editor,
and author of the novel, Human Slices.
Access her blog at www.gloriabowman.com; on Twitter @GloriaBow

Who wants to wait until the 31st to wallow in Halloween indulgences and scary movies?! Home Projectionist doesn’t! And so we’ll have pairings of 31 Frights and 31 Bites every one of October’s 31 nights: a scary, snack size movie “trick”, and a delicious “treat” to go along with it.
Trick & Treat for October 5th:

REPULSION (1965; with Catherine Deneuve; directed by Roman Polanski) We’ve all had lost weekends, spent alone in our apartments eating candy bars. However, it is hoped that none of us have had one like that which Catherine Deneuve’s character, Carole, experiences in this, one of Polanski’s earliest films. The director at the time was very broke; perhaps he was on the verge of a collapse, which would help explain what this troubled Belgian manicurist endures. Despite living in an upbeat, swinging part of London, we see her slowly but surely, over the course of a Saturday and Sunday, have a complete mental breakdown. What happens to, and around, Carole, will explain why our suggested treat is a Krackel. ![]()

Good evening. Have you had a good week? Have you had a bad week? No matter. Whether it’s been good or bad, it calls for a libation–a little bubbly perhaps. Champagne can be “notoriously” dangerous though, as you know. So be careful. We do want to afford you the chance of surviving the evening.
Good luck, Mr. Thornhill, wherever you are…
Take the Quiz!(*The quiz title was inspired by Alfred Hitchcock’s North By Northwest: “Something wrong with your eyes?” “Yes”, says the sunglass-clad Roger O. Thornhill (Cary Grant), “They’re sensitive to questions”. When the kidnapped Roger asks whether he’ll be given a ride back to town, Vandamm’s sidekick, Leonard (Martin Landau) answers by handing Roger a very tall glass of bourbon: “Oh, that has been arranged. But first, a libation.”)

Who wants to wait until the 31st to wallow in Halloween indulgences and scary movies?! Home Projectionist doesn’t! And so we’ll have pairings of 31 Frights and 31 Bites every one of October’s 31 nights: a scary, snack size movie “trick”, and a delicious “treat” to go along with it.
Trick & Treat for October 4th:

SISTERS (1973; Margot Kidder, Jennifer Salt; directed by Brian DePalma) Twix: Is it a cookie, or is it a candy bar? Where does Danielle end, and Dominque begin? These are the questions. Separated, but living together, Siamese twins Danielle and Dominque appear to have a very troubled relationship. Dominique is very unhappy, to say the least, when her sister brings Emil, a male acquaintance, home to their Staten Island apartment. When a neighboring, ambitious young journalist (Jennifer Salt) eyes the sisterly spat from her rear window, she senses a story, becomes inquisitive, and subsequently gets much, much more than she bargained for. This terrifying thriller–one of DePalma’s earliest and best, and with a chilling score by Bernard Herrmann–will probably bring to mind Hitchcock’s PSYCHO and REAR WINDOW. “What the Devil hath joined together, let no man cut asunder.” Think about that during this movie, and when you’re ready to devour that Twix. 

Who wants to wait until the 31st to wallow in Halloween indulgences and scary movies?! Home Projectionist doesn’t! And so we’ll have pairings of 31 Frights and 31 Bites every one of October’s 31 nights: a scary, snack size movie “trick”, and a delicious “treat” to go along with it.
Trick & Treat for October 3rd:

SON OF FRANKENSTEIN (1939; Basil Rathbone, Boris Karloff, Béla Lugosi) Villagers are mincing no words: they are none too pleased now that Frankenstein, Jr. (Rathbone) is back in town. Unwilling to forgive and forget. Junior, however, attempts to assuage their fears. He vows that he will not pick up where dad left off. But the remnants of his father’s legacy are all around him. The Frankenstein monster (Karloff) left a local constable (Lionel Atwill) with a rather acute injury. Then there’s the slightly off-kilter shepherd (a very creepy Béla Lugosi), who carries a grudge over the neck pains he incurred during that attempted hanging. With some self-serving revenge in mind, Lugosi persuades Jr. to take up dad’s old hobby. Predictably, it becomes quite a mess, and not a chocolaty one either. (Mel Brooks drew upon this excellent sequel for YOUNG FRANKENSTEIN.) ![]()
A must-see for Beatles fans just released on DVD. BEATLES STORIES: A FAB FOUR FAN’S ULTIMATE ROAD TRIP features a collection of 90-second stories shared by celebrities, musicians, execs, groupies, and assorted other fans who had the good fortune to share a moment in time with John, Paul, George, and Ringo.
Filmmaker and super Beatle fan Seth Swirsky spent seven years collecting these personal tales. The film premiered last night (October 2, 2012) at L.A.’s Egyptian Theater.
I still get goose bumps when I see the Beatles in A HARD DAY’S NIGHT (1964). I imagine I’ll get goose bumps just hearing people talk about the times they connected with the absolutely Fabulous Four.
With campaign season in full force, we can’t help but think about movies that delve into politics. One of the best, and most depressing, is ALL THE KING’S MEN, the 1949 classic and Oscar-winning Best Picture, based on the Pulitzer novel by Robert Penn Warren. It’s filled with some great slap scenes too.
Broderick Crawford plays Willie Stark, the honest idealist, champion for the “Everyman,” turned power-hungry politician. You know Willie is going to turn out to be the ultimate jerk when his wife sweetly says “I love you,” and he snarls, “Get me some coffee.” And that’s when he’s still playing the good guy.
I wish the film would take a longer and more thoughtful road for us to travel with Willie as he leaves behind his principles and succumbs to the power of political position and his own narcissism, but director Robert Rossen is dealing with a long story here. The pace is as frenetic and choppy as the staccato, quick-fire delivery of the lines. But the lines are sometimes oh so good.
Broderick, who won Best Actor in this role, shines when he’s on the stump spitting out rallying cries like, “Listen to me, you hicks. Nobody ever helped a hick but a hick.” And later, “You wanna know what my platform is? Here it is. I’m gonna soak the fat boys and spread it out thin.” Gotta love language like that on a campaign trail.
But once he’s done flailing about as the sincere guy that “Everyman” can count on, and he’s decided that playing politics means playing rough, Willie is no longer that interesting as a character. Mercedes McCambridge’s role as his campaign confidante, Sadie Burke, carries the day. I get tired of Broderick’s bluster in this film, but I can’t wait for McCambridge, who won Best Supporting Actress in this role, to appear on screen, especially when she’s in slap scenes like this with co-star John Ireland:
One of the creepiest moments in the film is Willie showing his father-in-law how to use the new police radio he’s bought him. When they hear the dispatcher say, “Tom Jones is beating his wife again,” both Willie and his father-in-law share a big laugh. These are not good people. In fact, Stark’s driving belief is that good can only come out of evil, and it’s an unsettling philosophy that leaves one pondering a bit about the dark side of human behavior. Everyone here, in one way or another, caves in to something, be it to power, greed, booze, lust, envy, and all those other deadly sins.
As a perfect antidote to the ugliness and cynicism in ALL THE KING’S MEN, cue up the Capra classic, MR. SMITH GOES TO WASHINGTON (1939), starring an ever-principled James Stewart. You’ll feel a lot better about the human spirit.
Gloria Bowman is a writer, storyteller, blogger, movie lover, freelance editor,
and author of the novel, Human Slices.
Access her blog at www.gloriabowman.com; on Twitter @GloriaBow
ON THIS DAY in 1916, author and veterinarian James Herriot (James Alfred Wight) was born in England. The 1978 PBS series, ALL CREATURES GREAT AND SMALL was based upon Herriot’s autobiographical books.

Who wants to wait until the 31st to wallow in Halloween indulgences and scary movies?! Home Projectionist doesn’t! And so we’ll have pairings of 31 Frights and 31 Bites every one of October’s 31 nights: a scary, snack size movie “trick”, and a delicious “treat” to go along with it.
Trick & Treat for October 2nd:

WHATEVER HAPPENED TO BABY JANE? (1962; Bette Davis, Joan Crawford, Victor Buono; directed by Robert Aldrich) Former vaudeville child star “Baby Jane” Hudson (Bette Davis) has left her best days far behind her. Now, as an adult, she lives in a dark, locked-up Hollywood mansion with her talented, but now disabled, movie star sister, Blanche (Joan Crawford). The child-like, cruel and delusional Jane taunts and torments Blanche relentlessly. This fascinating, grotesquely sad horror movie was a forerunner of films starring aging, big-name actors in gaudy dramas. There are plenty of nuts here in more ways than one. So fasten (and loosen) your seat belts, it’s going to be a bumpy night! ![]()
ON THIS DAY in 1967, lawyer and civil rights advocate Thurgood Marshall was sworn in as the first African-American justice of the United States Supreme Court. His life was documented in the 2011 HBO film of the theatrical play, THURGOOD, starring Laurence Fishburne.

Who wants to wait until the 31st to wallow in Halloween indulgences and scary movies?! Home Projectionist doesn’t! And so we’ll have pairings of 31 Frights and 31 Bites every one of October’s 31 nights: a scary, snack size movie “trick”, and a delicious “treat” to go along with it.
Trick & Treat for October 1st:

THE BLACK CAT (1934; Bela Lugosi, Boris Karloff; directed by Edgar G. Ulmer) Devil worshiper and architect Karloff confronts doctor (Lugosi) in Karloff’s streamlined yet bizarre, claustrophobic home. Creepy, chilling, scary. The Black Cat and a Kit Kat! Both classics! 











