Home Projectionist

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Bulb Changer

Posted by Johnny C on June 18, 2012
Posted in: Uncategorized. Leave a comment

I am on my second video projector. My first was an InFocus Screenplay. I went with InFocus  my initial experience with a home projection system was when I had access to my work’s projector. I would borrow it on occasion, tape a sheet up with duct tape and screen movies for friends .  However, after doing this a few times I was worried that something would happen to the unit while I had it at home, then I would be stuck with the cost of replacing it or worse get fired.  I did some research and found that the InFocus had the best ratings for projectors under $700.

My first Infocus served me well for nearly four years.  I took down the sheet and bought a real screen.  You can get them for about $100.  I was completely hooked.  How did I ever watch movies before on my tiny 36 inch tube television?  It picture quality with the  Screenplay was far superior to the one we used for presentations at work.  And it was light enough that I could move it outside to show movies in a friend’s backyard.

However, as time passed, after the forth year, I began to notice that the picture quality was just the slightest bit dimmer. I checked my “hours used” in the settings and found it at nearly 4000 hours of bulb time!  I looked into getting it cleaned and having the bulb replaced. I had never changed the filter on the projector even after my ceiling in my bedroom was replaced and my apartment was covered in plaster dust. The little projector who could just kept running and running, although it would occasionally make a little wheezy sound as the fan desperately tried to keep the system cool.  There are a may electronic shops that clean and change bulbs for $250 to $300.  I weighed the benefits of  getting the old system cleaned or upgrading to the next level.   It was at this same time that Netflix offered BluRay’s for rent, so I thought it was time to upgrade.

I ended up going to Abt Electronics, one of the best places in the Chicagoland area for electronics. Their video projector department is a Home Projectionist paradise. The first thing you see when you walk in is a huge projection screen 20 feet tall surrounded by massaging, leather chairs. As you wander around there are four rooms of projector set-ups to simulate how the system will look in different size rooms.  It’s quite intoxicating.

After a lot of room sitting, I decided on the Panasonic PT AX 200U; an HD projector, which was on sale that week. The salesman said that this was the model he had in his home. Whether it was a salesman pitch or not; after the demonstration of the system I was sold.  The total cost for the BluRay and the Projector was $1700.  Ca-ching!

When I got the system home and set up and put in the BluRay of South Pacific I was startled at the quality. I’d never thought that I could have an image that crystal clear in my own home. This was the quality of a real movie theater. The film version of South Pacific is awful, but the colors are wonderful and it was the perfect choice to test run the system.  (I think the most impressive looking film I’ve seen since I’ve upgraded was UP; the picture quality is so sharp that it looks like 3D. )

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That was nearly three years ago. A month ago I turned on my projector and suddenly I got a horrifying message in the left corner of the screen “Change Lamp”! What! How could this be possible! It felt like it was just yesterday that I took it out of the box and set it up. A friend suggested that perhaps it is the projector wanting me to redecorate in my living room and the next message will be “I hate your couch”.  I went to the settings and checked and I was at 1700 hours on my bulb. After some web searching I found that Panasonics need their bulbs changed every 2000 hours, not 4000 like the Insights.

I’m a little nervous about this procedure and I could take it back to Abt for them to change the bulb and filters, but I feel that I’ve lived with projectors for so long that I should know how to do at least some basic maintenance by myself.  The suggestions on the home theatre boards are varied. The go from dire. “…the bulbs can explode if they are left in too long” to blasé. “… just reset your bulb counter to zero and forget about it.”

I think to be on the safe side I’m going to change the bulb, if only to get that ominous message to disappear.  I’ll try to post a video of me doing the bulb change but until then this is the best explanation on how to do it. I welcome all advice and suggestions. Anyone ever had any disaster stories of bulbs going out. My greatest fear is that I’ll have a movie night planned and it will pop in the middle of the film!

Postscript: The InFocus Projector is still running fine and is often used for outside events at other people’s home or for summer backyard movies.

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I’ll Take Manhattan

Posted by Gloria on June 16, 2012
Posted in: Entertaining, Film, Movies. Tagged: entertaining, film, Manhattan, movies, Woody Allen. 2 Comments

He’s still keeps ’em coming:  Woody Allen’s new film To Rome With Love kicked off the Los Angeles Film Festival (www.lafilmfest.com) on June 14.  Last year, Midnight in Paris (2011) was absolutely delightful (and who knew that I could ever fall madly for Owen Wilson?).

But for me, MANHATTAN (1979) still shines.  It’s beautiful look at, has a smart script and memorable performances, and it’s a classic that deserves a revisit.  I am always surprised how much I love it every time I see it, and it’s a stellar film for a Home Projectionist event.

Shot in black and white to stunningly show off the grit of the city (and the shades of gray of the dilemmas that characters face), the film is rich with Allen Angst and hapless hilarity (although you may laugh out loud only a few times).   Allen — along with Diane Keaton, Michael Murphy, Mariel Hemingway, and Meryl Streep —  ruminate, wallow, digress, change partners, fall in love, and fret, fret, fret, good lord how they fret about their daily little lives.  And for all their self-absorption, you love them nonetheless.

The film’s locale provides a long list of options for themed entertaining. Manhattans for cocktails  and an array of potential menu items from deli trays to Waldorf salad, bagels to dirty water hot dogs, and hot pretzels to New York cheesecake. (The downside is that there are so many options and it’s hard to choose.)

As a special bonus, a recent viewing of the film spawned a spur-of-the-moment, made-up game called  “What You Saw In the Movie That You Don’t You See So Much Anymore.”  The list included a typewriter, smoking in restaurants, luggage without rollers, a dictaphone machine, big telephones, racket ball, women with really bad perms and tiny boobs and no bras.  Oh yes, and when was the last time you heard someone talking about Kierkegaard?

Gloria Bowman is a writer, storyteller, blogger, movie lover, freelance editor,
and author of the novel, Human Slices.
Access her blog at www.gloriabowman.com; on Twitter @GloriaBow

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Seven Dads for Seven Sons & Daughters

Posted by Dave on June 15, 2012
Posted in: Film, Movies, Reviews. Tagged: fathers, film, home theater, movies, reviews. Leave a comment

Not every one of these dads is a happy one, but here’s wishing them (and yours) a Happy Fathers Day anyway. This is by no means a list of definitive dad movies. They’re all good for a Fathers Day family screening, depending on how much of a sense of humor your dad has, and whether he and you can tolerate subtitles. (All of these films are widely available.)


MY FATHER’S GLORY (1991; France; directed by Yves Robert; subtitled) “A sweet, beautiful memory of a young boy’s favorite summer in the French countryside of the early 1900s.” –Video Hound. Followed by its equally as good companion film, MY MOTHER’S CASTLE. 


THE SHINING (1980; directed by Stanley Kubrick; with Jack Nicholson, Shelley Duvall) Nicholson takes time to be with his family, including his son (Danny Lloyd) and, apparently, with other people. I’d like to see the post-trip, Trip Advisor review. 

FATHER OF THE BRIDE (1950; Spencer Tracy, Elizabeth Taylor; directed by Vincent Minnelli) The Steve Martin remake is OK, but the original bride is irreplaceable. Tracy is the walking definition of the word, “curmudgeonly”. 

RIVER OF NO RETURN (1954; Robert Mitchum, Marilyn Monroe; directed by Otto Preminger) “Wilder then river fury, wilder than all the savage wilderness of America, was the savageness of their love!” Dad Robert Mitchum has more than he can handle with both his son (Tommy Rettig, co-star of the TV show Lassie) and frontier showgirl Marilyn, not to mention the raging river and several, money-grubbing bad guys. 

BIGGER THAN LIFE (1956; James Mason, Barbara Rush, Walter Matthau; directed by Nicholas Ray) Father thinks he knows best, but he doesn’t–it’s the drugs talking. In a way, Mason’s portrayal of a dad is scarier than Nicholson’s in THE SHINING. 

DEKALOG IV (1988; Poland; directed by Krystof Kieslowski; subtitled) There’s a lot going on under the surface in this 55-min. movie. It’s thought-provoking and fun trying to figure it all out–and you might not, until the end. Part of a series of ten films, all very loosely (and mostly not all that religiously) based on the Ten Commandments, this concerns the close relationship a young woman has with the architect father she’s living with. 

REBEL WITHOUT A CAUSE (1955; James Dean, Natalie Wood, Sal Mineo, Jim Backus, Dennis Hopper; directed by Nicholas Ray) Yes, another Nicholas Ray film. But no one had a better hand on the pulse of 1950s American suburban life. Backus is out of touch with his pessimistic son, who refuses his dad’s advice to wait “ten years!” for his life to change and get better. 

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Sensitive to Questions: Quiz #2: “A rather formidable kind of gentleman, eh?”

Posted by Dave on June 15, 2012
Posted in: Film, Hitchcock, Movies, Quiz. Tagged: fathers, film, hitchcock, hitchcock quiz, movies, quiz. Leave a comment

Sensitive to Questions

Celebrate Fathers Day by reuniting dad with his son or daughter. In true Hitchcock fashion, these paternal figures were sometimes model parents to their offspring, sometimes not. This quiz has a fairly high difficulty level. Good luck, Mr. Thornhill, wherever you are…

Take the Quiz!

*Our quiz title was inspired by Alfred Hitchcock’s North By Northwest: “Something wrong with your eyes?” “Yes”, says the sunglass-clad Roger O. Thornhill (Cary Grant), “They’re sensitive to questions”. Later in the film, the Professor (Leo G. Carroll)-responding to Thornhill’s description of Phillip Vandamm-describes Vandamm as “A rather formidable kind of gentleman, eh?”

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Do it Yourself Home Projection

Posted by Johnny C on June 14, 2012
Posted in: Projections Systems. Leave a comment

It has now been nearly ten years since I moved from a cathode ray tube television to a projector.  Once you’ve gone to a projector, you can never go back.  I’ve always been fascinated by projectors: my family had an extensive home movie collection.  And I used to save my money and order 8mm versions of classic films through Blackhawk films out of Davenport, Iowa.  I would spend hours going through their catalog wondering if I should get a Laurel and Hardy short or a ten minute version of DeMille’s Cleopatra. (Cleopatra won) .  I would watch them over and over, showing them multiple times to friends.  Trying out different music scores.

And then there was my Talking View Master projector  which I spent hours looking at the same discs of The Brady Bunch, Yogi Bear and The Flintstones. and I’m pretty sure one of my neighbors had a Give A Show projector flashlight.  

I don’t recall when I first heard of projection televisions, but as a teenager I remember experimenting.  I would take my father’s big magnifier workshop bench map and put up our old home movie screen.  Then put the magnifying glass a few inches away from against my ten inch b/w television set.   It would shoot a dim reflection of the movie.  Albeit an upside down image, but in a totally darkened basement you could sort of see what was going on.   I would lay on the couch with my head hanging over the edge to see it right side up.  After several minutes though I would start to get dizzy so it wasn’t the most ideal set up.   (It was hard to turn the b/w tv upside down, because then the rabbit ears were in the way.)

I remember when kits were advertised in Popular Science Magazine to build these boxes. I’m surprised at myself that I never gave this a try.  Does anyone have a story about trying these boxes?  This was years of 480i resolution! We’ve come a long way baby.

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We’re Looking for the Home Projectionists Out There

Posted by Gloria on June 13, 2012
Posted in: Uncategorized. Tagged: events, film, home theater, movies, reviews. Leave a comment

Welcome to Home Projectionist, a unique forum for people who love watching movies and sharing the experience with the people in their lives.

Home Projectionist is for the would-be movie theater owner. If someone handed you the keys to Manhattan’s Angelika, Chicago’s Music Box, San Francisco’s Castro, or L.A.’s Egyptian, how would you handle programming?

You know you’re a Home Projectionist when you’re inspired (as we are) by the possibilities that exist – be it with the classics, the campy, the quirky, the contemporary, or anything else that we happen to discover to share on our home screens — no matter how big or small they are.

Home Projectionist is about adding a meaningful third dimension to a two-dimensional movie by creating a shared experience with our friends and family.  Not only do we enjoy connecting our guests with compelling and entertaining films, but we also have fun adding unique touches — like showing cartoons  or clips or serving themed food and drink.

Home Projectionists share a certain fondness for the movie experience of the past, where the draping curtains added an air of mystery, when we weren’t bombarded by commercials and overwhelming prices, when the audience was attentive and respectful, and when there was a definite magic when you went to the theater. Home Projectionists still love going out to the cinema, but they’ve discovered the pleasure of being programming director and host in their own homes.

At Home Projectionist, we’ll be talking about films, resources, technology, industry news, themes, menus — you name it.   We want to count you among the proud Home Projectionists out there.

Join us by subscribing to our blog site, Liking us on our Facebook page, and following us on Twitter.  Stay tuned!

(And the award goes to….Home Projectionist blogger Dave Hunter for his talent and commitment to creating this site, graphics, and the outstanding Home Projectionist logo. See Dave’s work at http://www.dhdd.net/ )

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A Classic for a Mini Series Marathon

Posted by Gloria on June 13, 2012
Posted in: Documentary, Themed Events. Tagged: Augustus, Caligula, Claudius, Downton Abbey, entertaining, home theater, mini series, movies, Roman, Siân Phillips. Leave a comment


If I set my Way Way Back Machine to 1976,  I can recall being addicted to the Masterpiece Theatre  I, CLAUDIUS mini series the same way I am addicted today to Downton Abbey, Mad Men, and the Housewives of New Jersey.

Earlier this year, the 35th anniversary edition of the BBC I, CLAUDIUS series was released.   What memories that announcement brought back.

Although I clearly remember being enthralled with every episode of I, CLAUDIUS that I watched on television in the ‘70s, I don’t clearly remember the home projection screening of the series we did sometime in the ‘90s.

Blame the summer heat and copious amounts of red wine for the fuzzy recollections, but our screening of I, CLAUDIUS was memorable nonetheless.  (It still comes up once in awhile when friends reminisce – a true sign of a Home Projectionist success.)

A small group of us who are old enough to have seen the original airing of I, CLAUDIUS  were raving about it to our friends who hadn’t seen it.  We wanted to show off our new big screen and agreed to make  a true marathon event out of it — hunkering down for a screening of 13 episodes on two consecutive Sundays during one of the hottest spells of summer.

Everyone came in on the first Sunday at noon looking limp from the 90-degree heat and 100 percent humidity. They immediately perked up when the blast of over-conditioned air hit them at the door.

The food theme was “Bring Something Mediterrean,” and the kitchen was overflowing with olives, grapes, dried meats, roasted peppers, bruschetta, fabulous cheeses, and an obscene number of bottles of Italian wines.  After eating a drinking a bit, people moved into the living room and scrunched up on the couch, grabbed dibs on chairs.  We didn’t have enough seating, so in true Roman style, there was also a lot of lying around on the floor.

The opening credits were riveting, the theme, and that snake sliding over the tile floor. So far, so good.  But I remember feeling a bit panicked when the first scene appeared with its playhouse production style.  I could sense a collective groan.

But within only minutes, really, everyone was drawn in and my worries were over.  How could they not be mesmerized?

The cast and performances are over-the-top stellar.  Derek Jacobi stammers his way through the leading role as hapless Claudius.   Sian Phillips brilliantly plays the evil matriarch Livia while Brian Blessed blusters around as Emperor Augustus.  Star Trek fans will be excited to see a young Patrick Stewart in a leather skirt playing  the handsome and crafty military officer Sejanus.  And John Hurt absolutely kills it as Caligula.  Absolutely kills it.

The whole series is a kind of Survivor game show with insider politics and power plays, murder and mayhem, insanity and sexual intrigue…and more sexual intrigue, a few battles, and more sexual intrigue.

During the first day of our mini series marathon, we took long breaks between episodes,  and even though we started watching at noon, we didn’t stop until the late, late evening.  And copious bottles of wine were empty. Everyone had a bleary-eyed Monday morning.

The next Sunday, the same group of friends reappeared for Round Two, bringing along a repeat of the last Sunday’s Mediterranean spread, as well as a few new participants.  We held a plot recap to catch up everyone on the story so far and settled in for the last six episodes.

As the day went on, the breaks between episodes got longer and longer. Sam, who knew the in’s and out’s of Roman history, helped clarify some of the genealogy and missing links.  (Note that the 35th anniversary edition has featured extras that will help in that arena.)

I had anticipated that the group would go home early on the second Sunday and that there was no way that we would have a late-night repeat of the week before. But when the last episode was done and I, CLAUDIUS reached its wonderful conclusion, no one went home.

Everyone migrated back to the kitchen to refill glasses and happily pick at leftover dried up cheese and other unappetizing bits and pieces. There was a weird kind of spirit in the air and a sense of ensuing late-night drama. I knew that our own little reenactment of a Roman soiree was going to continue when I walked in on an improbable make-out scene (that still makes me shake my head), and then later when, courtesy of Miss P. Caster, some rock band’s tour bus and entourage pulled up in front of the house.

Sometimes, life can imitate art.

I woke up in the morning to find one friend asleep on the bathroom floor, and he was holding a bowl of grapes.

If you’ve never seen I, CLAUDIUS  put it on your Home Projectionist must-see list.  And let the intrigue begin.  

http://www.amazon.com/I-Claudius-Derek-Jacobi/dp/B00004U12X

http://www.amazon.com/s/ref=nb_sb_ss_i_7_10?url=search-alias%3Daps&field-

Gloria Bowman is a writer, storyteller, blogger, movie lover, freelance editor,
and author of the novel, Human Slices.
Access her blog at www.gloriabowman.com; on Twitter @GloriaBow

 

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Fire In a Crowded Theater

Posted by Dave on June 12, 2012
Posted in: Film, Movies, Reviews. Tagged: film, movies. 3 Comments

FAHRENHEIT 451 (1966; Oscar Werner, Julie Christie; directed by Francois Truffaut; widely available)

“You see, it’s… it’s no good, Montag. We’ve all got to be alike. The only way to be happy is for everyone to be made equal. ” 

Fahrenheit 451, by Ray BradburyAuthor Ray Bradbury passed away last week at the age of 91. He wrote for television, including for Alfred Hitchcock, but the most famous movie to be adapted from one of his books was Fahrenheit 451. The best-selling Bradbury novel (which I read way back when) was directed by Francois Truffaut (his first and only English film) and released in 1966. Its critical reputation has improved (“meandering narrative…”, “pretentious and pedantic…”, “an interesting miss”, in the words of critics then). I’d seen Fahrenheit before, but in light of Bradbury passing away, I wanted to re-watch it. It’s gotten better with each viewing. A very good film; not quite perfect though.

From the start, Truffaut startles with quick zooms towards what appear to be ordinary, old rooftop TV antennas. But upon closer look, they are not. They’re a little bit different. This is the future. Over these dramatic shots, we hear the credits being read by an ominous, off-screen voice. The absence of the printed word is in keeping with Bradbury’s novel (a 1984-like future in which fire departments-in-reverse burn all books–“even this one (Mein Kampf)”–and sometimes their owners, with extreme prejudice. I don’t recall seeing (actually, hearing) this technique anywhere except in Welles’ Magnificent Ambersons (readers may want to help me out here…). Composer Bernard Herrmann created one of his best scores for Fahrenheit 451, and to his credit he (reportedly) resisted requests to use it during these opening “titles’. Immediately after these credits, however, Herrmann’s music gets underway. It’s urgent, unique, oppressive and authoritarian, all at once. The childlike xylophone has an accompanying visual: a bright red fire truck carrying a squad of fire lighters. It looks remarkably like a child’s toy as it races through the countryside–not to put out a blaze but to start one.

With the exception of glimpses of the pages of books, and “The End”, there is no text anywhere in the film. Not on or in any building (the fire station exterior simply reads “451”). Not during the odd, intrusive and sterile television programs Linda Montag (Julie Christie) watches on her “wall screen”. Christie’s husband, Guy, (Oscar Werner), aspires to a second screen (and, being a “guy”, he will most likely want a bigger one).

Christie also plays the part of Clarisse, a free spirit compared to the Stepford Wife behavior of her Linda character. She’s very direct while commuting via the monorail, initiating a conversation with the reclusive fellow traveler Montag, who is intrigued by her persistence. “Why do you burn books?”, she questions cheerily.

This is a thought-provoking film. Books in Fahrenheit 451 are looked upon much like how we view illegal drugs today. Books in this book-less new world are “used” even though they can “cause unhappiness”. They’re hidden away in homes. People who’ve read them all their lives, can’t stop–and would rather die than withdraw from reading. Confiscations of books are announced by weight (“Today’s figures for operations in the urban area alone account for the elimination of a total of 2,750 pounds of conventional editions…”). Whether you’re a casual or an avid reader, these firemen are not your friends.

A middle-aged “book lady” says, “These books were alive; they spoke to me!”. She meets, voluntarily, a horrible fate. Perhaps she didn’t know that books could continue to speak to her, in the true sense of the word. Some distance away from this restrictive society, there is a place where books are kept alive. A precious few have memorized one book a piece. With these wandering souls, books will live forever. They’ll be passed on to other, younger people.

Questions remain. There are only so many folks out there in that forest along the river and abandoned railroad tracks. Just how many books can possibly be saved? Why do the authorities leave them alone? Wouldn’t they suspect Montag (who is not as sympathetic a character as he should be) would be hiding among them? With helicopters and men in jet packs (an unfortunately poor special effect) at their disposal, how could the authorities miss this community–a community that could easily be wiped out without consequence.

Then there’s the two, trouble-prone young firemen at the station. What are the misdeeds they are berated for? It’s sort of funny that it’s never explained; it appears as though it might be a subplot left on the cutting room floor–one of a few plot threads that don’t go anywhere. There’s also Montag’s surprise (or is he faking it?) that there could be such a thing as a non-fireproof house, and his response to Clarisse’s astonishment that fireman once extinguished fires. (Surely large fires must still occur… .)

In the end, the literary scofflaws who’ve become the books they’ve read and memorized, walk through the snow-covered, leafless woods–woods that once, in a way, were the carriers of those words. It’s a moving and unforgettable scene, sad and yet a little hopeful, with beautiful, moody music to match. But the pace is off a bit there, too–the film ends a little bit abruptly. The romance here is about our love of books. The romance between Clarisse and Guy, which needs some resolution or fulfillment–one more chapter–is a loose end that is not tied-up.

This dark, cold movie is not going to be everyone’s cup of tea. But it’s a thoughtful, cautionary story, and it’s not to be missed by anyone who’s ever read a book they wished would never end. Machines are gradually intruding on the lives of the film’s inhabitants, says one character, slowly taking them over. It’s the future in Fahrenheit, but that line was written 50 years ago. “Wall screens” (big, LCD and plasma sets), street corner cameras, satellite views, mindless TV programming and drone surveillance are a reality here in 2012. This is entertainment for us in the here and now, but once the movie’s over, you’ll wonder if the bleak future the movie depicted is as far-fetched as it seemed in 1966. 

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Random Noir Night

Posted by Johnny C on June 11, 2012
Posted in: Film, Reviews, Themed Events. 1 Comment

Sometimes movie nights can be unplanned and spontaneous.    I’ve stressed out many times over what movie to show feeling that if it wasn’t right and a success that it somehow was a reflection on me.  I’ll do some posts later on this, but I wanted to relate an alternative to  the planned movie night.   I’ve been calling them  Random Noir Nights.   This Saturday was sixth of these nights that have sort of sprung up organically.   A few friends know I have a 100 inch screen and that usually on the weekends I’ll be watching something.

The past couple weeks I’ve had a small group of friends stop by and instead of planning a movie I’ve been just going to my Netflix Streaming queue in which I have over 400 movies lined up and we just pick a movie at random.   The only bit of planning we might do is to read the short description of film to see if its something that we all agree on.  But I don’t like this process to go on more than a couple minutes.   The other thing I’ve been insisting on is that the film be no more than an hour and a half; and less than that is even preferable.  This way if its bad, its not that big of an investment  of time and usually you fit in two movies in an evening.

Surprisingly this process has come up with some interesting and delightful surprises.   This week we picked a movie pretty much on its name alone.  The Strange Affair of Uncle Harry (1945, Universal).  

Now I consider myself a pretty knowledgeable film buff and especially of films that are a little out of the ordinary.  So I was shocked I’d never head of  this bizarre little thriller, film noir that plays like the  lost,  illegitimate child of Alfred Hitchcock and Carson McCullers .    The story is about a three siblings living in the family home in a small town where they were once leading citizens.  Their fortune was lost in the depression and the youngest son (George Sanders) is forced to work drawing flowers for fabric for the local textile mill.   I found this fascinating because I always wondered who designed those sad flowers that are always found on sheets and pillowcases.   George is living with his two older sisters  who depend on him to keep the family home running.  The eldest is a widow played by  Moyna MacGill (Angela Lansbury’s mother)  The other sister is played by the brilliant Geraldine Fitzgerald.    Early on you learn that Lettie (Fitzgerald) is a drama queen who uses a fake heart aliment to keep Sanders under her thumb.   Complications ensue when a beautiful lady designer comes from New York and sweeps timid George off of his feet.

This is where the plot gets strange as Lettie begins to sabotage her brother’s wedding plans.   I’ve never seen incest played so delicately, yet so blatantly in a film.  There is no doubt in the audience’s mind that Fitzgerald is in love with her brother and she will do anything so that no other woman will have him.  For once George Sanders as Uncle Harry is a sympathic character, even though he is driven to extremes, you are rooting for him to get free of his clinging family.

One of the best scenes in the film (posted below) is where Uncle Harry is getting to know Miss Brown played by the beautiful and largely forgotten, Ella Raines. The scene is a masterful dance of double entendres.  It’s all seemingly innocent. but you can read between the lines as they the talk of hung stars that need polishing and Uncle Harry’s nine inch telescope which they will watch Saturn’s rings,  but they’ll have to wait until it rises high enough.  It got a few gasps out of the group.

The whole production has a feel of Hitchcock’s 1940’s films.  That is probably because Joan Harrison, screenwriter of Suspision, Foreign Correspondent, Rebecca, and Sabatour is credited as the producer.  It is rare that you see a female producer on any films, let alone one made in 1945.  Robert Siomak (Cobra Woman, Spiral Staircase) does a fine job of directing.  And even though he’s no Hitchcock he does elevate this B-film to a quality production.   The film reminded me in some ways of Shadow of a Doubt because of the colorful town characters that are peppered throughout the film.  Most notably. Ethel Griffies who is best known to Hitchcock fans as the Mrs. Bundy, the know it all ornithologist from The Birds.

Director Robert Siodmak does a fine job in pulling all of the elements together and makes this a tight, little thriller.   Not to give away any spoilers for this film, but it has to be noted.  As I’ve said this film was a wonderful surprise and everyone who watched it on Saturday loved it.  However, the ending of this film nearly ruins the previous 78 minutes that came before it.   You’ll go away shaking your head and saying ‘What, the hell just happened?’ It’s like the movie swirves off the road and goes into a corn field.   You’ll know when it happens!

But it was a lucky and happy random movie pick.  At a quick 80 minutes its the perfect length, lots of fun campy lines, a good story that never seems to go where you think its going.  And on top of that a softball team comprised of 1940’s beauties.   That alone is worth the price of admission!   

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Five for Dino

Posted by Dave on June 7, 2012
Posted in: Film, Movies, Reviews. Tagged: film, movies. Leave a comment

A toast to Dino, who might’ve celebrated his 95th birthday today by visiting the beverage cart and fixing himself “a salad”. Five recommended movies; all are widely available:

THE YOUNG LIONS (1958; directed by Edward Dmytryk) Martin plays “the Broadway wise-guy” in this seriously underrated WWII picture. Also starring Marlon Brando and Montgomery Clift. 

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HOLLYWOOD OR BUST (1956; directed by Frank Tashlin) Dean and Jerry’s last picture. It’s a lighthearted, colorful, cross-country road trip, with a dog who almost steals the show. Martin’s annoyance with Lewis sometimes appears to be more than just acting. Lots of fun. 

.

KISS ME STUPID (1964; directed by Billy Wilder) Dino plays himself as a visitor to Climax, Nevada, in this dark and suggestive Billy Wilder comedy. Great lines, like “I need another Italian song like a giraffe needs a strep throat” and “You ain’t heard nothin’ sung until you heard me sung it!”. Also with Kim Novak. 

.

 RIO BRAVO (1959; directed by Howard Hawks) Terrific western with Angie Dickinson, John Wayne, Walter Brennan and Ricky Nelson. Dean is a cowboy with a drinking problem and a reputation to repair. 

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SOME CAME RUNNING (1959; directed by Vincent Minnelli) Bitter WWII vet Frank Sinatra (“Buy yourself a Quonset hut!”) bumps into Bama Dillert (Martin), a professional gambler. Dillert wears a big hat–no matter what he’s doing. Also with Shirley MacLaine. 

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More Demy

Posted by Dave on June 5, 2012
Posted in: Film, Movies. Leave a comment

If I ever write a Ten Tearjerkers list for Home Projectionist, The Umbrellas of Cherbourg (1964) will be on it. Its director, Jacques Demy, died too young (1990); he would’ve been 81 years old today. Because it has its very sad moments (in addition to many joyous ones), I hesitate to say it’s a “crowd pleaser” but, it is–so long as you have a box of Kleenex near your guests in addition to the popcorn. Make it a Demy double feature by showing its equally-as-good sequel, The Young Girls of Rochefort. (Starring Catherine Deneuve; Music by Michel Legrand; both films are widely available.) 

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Sensitive to Questions: Quiz #1: “I’ll catch up on my reading”

Posted by Dave on June 4, 2012
Posted in: Film, Hitchcock, Movies, Quiz. Tagged: film, hitchcock, hitchcock quiz, movies, quiz. 1 Comment

Sensitive to Questions

How well do you know Alfred’s authors? We’re talking about Alfred Hitchcock, of course. For this ten-question quiz, the first in a series, you’ll have to match the Master of Suspense’s movie with the writer whose book the film was based on. I’d rate the quiz moderately difficult, but let me know what you think. Good luck, Mr. Thornhill, wherever you are…

Take the Quiz!

*Our quiz title was inspired by Alfred Hitchcock’s North By Northwest (Dave’s favorite movie): “Something wrong with your eyes?” “Yes”, says the sunglass-clad Roger O. Thornhill (Cary Grant), “They’re sensitive to questions”. Locked in the villainous Van Damme’s (James Mason’s) elegant and fully-stocked library, Grant cracks, “Don’t worry about me, I’ll catch up on my reading.”

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I Fell for Fall

Posted by Dave on June 3, 2012
Posted in: Film, Movies, Reviews. 1 Comment

2012 TCM Classic Film Festival: Review

This is the second of my reviews of the 16 films I saw over the course of four days at the TCM Festival this past April.

FALL GUY 1947; Leo Penn, Elisha Cook, Jr.; directed by Reginald Le Borg; Chinese #4; Saturday, 9 a.m.

The lure: A rarely-screened film noir; Walter Mirisch in attendance.

If I could’ve cloned myself: This was not as difficult a decision as others, such as HTWWW. The festival’s main theme was “Style”, and this was “Noir Style”, but there were not that many noirs on the schedule. Running concurrently with Fall Guy was the very long The Longest Day, with a post-screening discussion featuring Robert Wagner, an Abbott & Costello feature, Who Done It (I never was a fan of A&C), and Auntie Mame. There also was the footprint ceremony with Kim Novak in front of Graumann’s, but I’d seen Kim the previous afternoon at Vertigo.

Thoughts: The legendary producer Walter Mirisch (The Apartment, West Side Story and many more) appeared on stage prior to the screening of this terrific film. Fall Guy was adapted from author Cornell Woolrich’s Cocaine. Mirisch, contrary to what one might expect, was very charming and humble (“I was lucky to be a story teller”). He shot the film in just eight days on very small sets, with a miniscule budget of $85,000 (“I was paid $2,500 and was very displeased with the music”; “It’s very similar to Phantom Lady”) all while skirting the era’s restrictive Production Code.

Leo Penn (father of Chris and Sean) plays a returning and bitter WWII veteran who finds himself confronted with charges of murder, when he awakens at a party from a drug-induced blackout. Great lines, such as “I’m even seeing him in my soup!”, and “Nothing makes you forget a woman faster than another woman.” During the discussion, Mirisch proclaimed, for the record, that his Invasion of the Body Snatchers was–contrary to popular belief–“not about Communism!” A dazzling and very funny Columbia Pictures cartoon, Rooty Toot Toot, preceded this film.

No dice, guys: Fall Guy is unavailable at the present time, although TCM will probably be showing it. Rooty Toot Toot is part of a new set of UPA animated films, available through TCM’s online store. It’s also on YouTube:

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That 70s Show

Posted by Dave on June 1, 2012
Posted in: Film, Movies, Reviews. Leave a comment

Beginning July 9, 2012, the Academy of Motion Picture Arts and Sciences will be hosting a 70mm Film Festival at the Goldwyn Theater, Beverly Hills, Calif. The films: It’s a Mad, Mad, Mad, Mad World*, Sleeping Beauty, Grand Prix*, The Sound of Music, 2001: A Space Odyssey*, and a new print of Spartacus (* films originally shown in Cinerama).

 

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Happy Birthday, Ms. Monroe

Posted by Dave on June 1, 2012
Posted in: Film, Movies, Reviews. Leave a comment


—Niagara (1953; with Joseph Cotten; directed by Henry Hathaway (widely available)

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